Molière himself, when writing his work, could hardly see the future and did not think that Tartuffe would be relevant so many years after it was written. It becomes more entertaining than philosophical. The directors try to entertain the audience through strange characters and their actions, and the essence of the work is lost. The only problem with theatrical adaptations can only be that they concentrate more on the images than on the meaning of what is going on.

You can often see how strange the work’s protagonist looks, how compliant Orgon is, and how blindly he succumbs to Tartuffe’s words (Wilbur & Mckowen 6). But there is one thing that all followers of Molière have in common: the reverence with which they treated the images in Tartuffe. One author may have emphasized the dynamics of what is going on, the other on a more static narrative of the story. If one analysis at least a few productions, one can see that they all differ from each other. Molière’s play has been staged on the stages of many theatres worldwide more than a dozen times. Tartuffe was banned for six long years because of religious zealots against the way the work deceives a deeply Christian man. Unfortunately, Molière’s views on society’s problems at that time were perhaps too progressive. He also wanted to show the real life of France, with its pluses and minuses, precisely what the whole bourgeois system looks like within the state itself (Michele 448).

Moliere wanted to show how easy it is to gain the trust of others with nothing more than sweet words and talent. In the end, Orgon’s wealth is saved with the monarch’s intervention, and Tartuffe is sent to prison.ĭespite the simplicity of the plot, one can safely say that the play is full of allegories and metaphors for what is happening in 17th-century France. However, she is already engaged to another man, but he dares not to defy her father and will do as he wishes. So much so that Orgon does not trust anyone except the stranger, promising his daughter in marriage to him and giving him all his wealth (Molière 48). He does not look very handsome or rich, but his charisma captivates the house owner called, Orgon. The plot is quite simple: at a certain point in time, a man named Tartuffe appears in the house of a relatively wealthy man. It is studied in schools and universities, and many try to repeat the success of the great writer by making films and putting on plays, and every time it is revealed in a new way. Many are still pondering what the author meant by this or that part of the work.

Molière’s play Tartuffe, written as far back as 1664, has left its mark on the history of world literature forever.

Tartuffe by molière